
Another damn’ fine moustache. This one belongs to:-
Peter-Severin Krøyer, 1851-1909
UPDATE New and very recent aerial photo of Skagen added.
UPDATE! (Parts 1 & 2 joined and updated to make one humungous posting.)
It’s a bit of a mystery to me why some painters are very familiar to us and that others just never appear in our radars. It helps to work with and learn from colleagues, of course, especially if they have been exposed to a wide range of influences in other studios, or have visited a variety of galleries. But if you work on your own and have no colleagues, how do you find out about what you are ignorant of? Tricky….
One way and another, It’s only recently that I’ve come across the work of Krøyer, and it certainly wasn’t through what you’d call a traditional learning route.
In January this year I joined a Quit Smoking support group, run by the excellent Camilla Peterken*.
One of her novel ideas is to ask the quitters to write themselves an encouraging postcard from the future, with some inspirational private message. Everyone chooses from a big pile of postcards, writes themselves an uplifting line or two, the cards are collected up and Camilla sends them back to their authors a couple of months later.
So I riffle through the stack of postcards, and I’m stopped dead in my tracks by this:-

Fishermen hauling nets, North Beach, Skagen
I look on the backside of the card and discover that the artist is Peter Krøyer.
Now I’d never heard of Krøyer, and it’s possible that I never would have done (and nor would you) if it were not for the man standing on the left in this group portrait below, leafing through a sketchbook:-
Heinrich Hirschsprung was not only a patron of the arts who supported Krøyer during the formative years of his career, but also later introduced Krøyer to his future wife, Marie. He also founded a museum.
There’s a delicious personal irony here for me, in that I came to know about Krøyer mainly because of the wealth of Hirschsprung, who made his money as a….
Tobacco Merchant.
I’m glad to say that I’m stll not smoking (nearly six months later), and *Camilla so liked the imagery I used when describing my coping strategies for nicotine withdrawal that she asked me to design some publicity and support materials for her new business venture “SmokeFree Working”
So, who was Krøyer, and what makes him a painter we ought to know about?
Snippets of biography reveal that:
- Although he is one of Denmark’s favourite painters, he was actually born in Norway.
Soon after his birth in July 1851, he was adopted by his mother’s sister and her husband, and taken to live in Copenhagen, Denmark.
He started his art education at nine years old.
In 1870 at the age of 19 he finishes his studies at the Royal Danish Academy of Art
In 1874 Heinrich Hirschsprung buys his first painting from Krøyer, establishing an enduring patronage.
1877-1881, Krøyer travels throughout Europe, developing his skills and vision. He stays in Paris and studies under Leon Bonnat. He is certainly influenced by the major impressionists of that time: Sisley, Renoir, Degas, Monet and Manet. Hirschsprung provides financial backing for Krøyer during this time of travel and learning.
In 1882 Krøyer arrives in Skagen, Denmark. (Pronounced SKAIN. Fire up Google Earth and enter “Skagen,DK” )
Because Skagen is on a long thin promontory, the effects of light in the long summer evenings are extraordinary, and that’s what had piqued my interest on first sight of the postcard. here’s how:

It’s the bit right at the top.

Some beautiful light effects guaranteed….

This photo was taken on 6th of May 2006

It’s a gigantic canvas! Not very easy to keep under control
if there were a breeze. Now look carefully at the image on
Krøyer’s easel here and you’ll find it looks like this one below.
Krøyer enjoys a long association with Skagen, where he spends his summers, retreating to his Copenhagen studio during the winter to pursue his portrait works, and also spending time travelling to Spain, Italy Austria, Germany, Switzerland, and especially France, where he would exhibit canvases at the Paris Salons.
Here’s a montage of portrait studies for the above painting:

Montage of portrait studies for Landing the catch, Hornbaek
Here are some works from his travels:-

Workers returning, Cernay La Ville
While in Paris, in the year 1888, he meets Marie Triepcke, a German painter who was raised in Denmark but is now studying at the Pierre Puvis de Chavannes atelier. Krøyer has known her for a few years already, as she was a friend of the Hirschsprung’s, and she had even posed for Krøyer in this picture:

The Duet 1887 (Marie is on the left, in red)
Krøyer is truly smitten this time, and they marry a year later, moving to Skagen together in1891.
He paints her frequently, and his fondness for her is still visible in his canvases today.

Profile, Marie Krøyer 1891
Was the above profile based on this photo below?

Marie photo 1 (from a cyanotype)
They have only one child, Vibeke.
Marie is the model for many of his paintings including his most famous work “Summer evening on Skagen’s south beach with Anna Ancher and Marie Krøyer” of 1893.

Summer Evening, Skagen South Beach with Anna Ancher & Marie Krøyern

Study for Summer Evening, Skagen South Beach
(One of many such studies for the painting)
Skagen has become an artists colony by this time, and Krøyer is its ringleader in many ways.
The social circle includes artists Michael and Anna Ancher, (whose portraits by Krøyer adorn the current Danish thousand-kroner bill) and many other artists, writers and poets
There were hunting parties,

Skagen Hunters or, “The Artists Rifles”
Drinking parties,

Skagen Artists
(AKA The Pro-Am Celebrity Drinking Team, with Michael Ancher far left (Still standing) and Christian Krogh, in profile but legless, seated, right.)
And garden parties.
From left to right: Martha Johansen, painter Viggo Johansen, Norwegian painter Christian Krohg, P.S. Krøyer, Degn Brøndum (Anna Ancher’s brother), Michael Ancher, Swedish painter Oscar Björck, Danish painter Thorvald Niss, teacher Helene Christensen, Anna Ancher and Helga Ancher.
Not to mention Mid-Summer’s Eve beach parties, celebrated here in the large scale work “Saint John’s Eve bonfire on Skagen’s beach”
Here’s the study for the painting:

Study for Saint John’s Eve bonfire on Skagen’s beach 1903
And here’s the finished work.

Saint John’s Eve bonfire on Skagen’s beach 1903
Unfortunately, Krøyer had contracted syphilis at some point in his life, and the disease, coupled with a hereditary tendency to mental illness blighted the last decade of his relatively short, 58 year life.
He also gradually lost his eyesight in his last decade, despite which he kept painting some of his best work almost until the day he died, in November 1909, in his beloved Skagen.
Here’s his last self portrait, drawn 7 months before he died….
Books available here:http://www.skagensmuseum.dk/uk/butikken/catalog/books/


















































































12 Comments
I am a doctour and an oil painter(for fun),who loves Impressionism most of all. I have seen some pictures of Peder Severin Kroyer and I considerer him FANTASTIC: The bright light effects of his paintings are incredible:they have a an AURA of supernatural that leave me quite astonished. I would like to buy a catalouge of this artist,but I can,t find it. Wil you please help me out to get it?Thanks a lot Best regards Marina
Marina, Thank you for your visit and your comment.
I wish I knew of such a book, but as far as I know, nobody has published a book about Krøyer.
If ever I hear of one, I will certainly post news of it here!
Krøyer is covered extremely well in Lise Svanholm’s book, “Norther Light”, Gyldendal 2004, ISBN 8702028174. But this article also gives an excellent account of his life and works.
Thanks for posting this, great info! There is another book “In Another Light” which covers Danish painting from the Golden Age to post Skagen, covers Kroyer & company.
I understand he and Sorolla were friends which would explain the similar styles- one I would typically associate with Sorolla and “sunny spain’ – but obviously Kroyer’s work pre-dated Sorolla’s and Sorolla was said to be initially influenced by Zorn – which marks the change in his style from academic to, well, Zorn like.
@Ian: Thanks for your kind words, Ian – and thanks for the ISB Number. It will be very useful.
I’m currently translating a book on him and his wife (Painted Ladies), and your post has been most informative. thanks.
Thanks Merav. It cheers me up to know there’s benefit to others!
thank you very much about the news on Kroyer,we all like so much. Please let me know also in the future. I do hope to go toSkagen and see his best paintings. Bye bye
In 1992 there was a Kroyer exhibition in Denmark at the Aarhus Kunstmuseum which was entitled ” P. S.Kroyer Tradition – Modernitet” An accompanying book which I bought contains among other pictures 88 colorprints of Kroyer’s work. The text naturally is in Danish. ISBN: 87-88575-29-2.
Thanks for the very useful note, Lukas. I’ll have a trawl of the book sellers’ sites using that ISBN.
waiting for Merav’s book:do your best. We’ll ejioy it !
anyway I appreciated this last artcle you sent me Marina
Enjoyed photos and comments. You should read a book called’ Painted ladies’ by Siobhan Parkinson. It is well researched and gives a great insight into the lives of the artists at that time
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