A couple of days back, I was looking at the work of Korean sculptor Do Ho Suh, whose work has often examined themes of individuality and identity in a crowded society.
(Click these images to enlarge them, if you like)
Here’s a close-up of the base of that plinth -
And then, the very next day, what do I see but the 60th anniversary celebration of Chinese communism being staged in Tiananmen Square.
Uncanny, eh?
You have to admire the training that resulted in this astonishingly precise alignment.
(Via)
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One Comment
Dangerous work too, by the looks of it. Not to be done without a helmet.