The fourth in a seasonal series of short entries featuring snow.
Today’s subject is Charles Tunnicliffe; Etcher, engraver and painter, whose principal subject was bird life and the natural countryside.
“Company of Whitethroats” ( Please click these images to enlarge them ).
Charles Tunnicliffe RA OBE
1901 – 1979
Charles Tunnicliffe was born in Macclesfield, Cheshire. Known primarily for his depiction of birds and other wildlife, notably illustrations for Tarka the Otter. He is widely regarded as the greatest UK wildlife artist in modern times.
After studying at the Macclesfield and Manchester Schools of Art he won a scholarship to the Royal College of Art in London, gaining his teaching diploma and a further scholarship to study in the RCA’s new Etching and Engraving School. He stayed on in London to develop a career as an etcher and engraver, producing some of his finest etchings during this time. In 1928 he returned to Macclesfield, earning a living mainly from commercial artwork, much of it for the farming industry.
He was elected A.R.E. in 1929 and R.E. in 1934.
He was a regular contributor to the Royal Academy and was elected as an associate in 1944, becoming a Royal Academician in 1954.Sir Kyffin Williams encouraged Charles to show his personal reference collection of measured drawings at the R.A. in 1974 – the exhibition was a great success.
Tunnicliffe moved from Cheshire to Anglesey in 1947 where he lived until his death in 1979. He believed strongly in observing and sketching direct from nature, especially around Cob Lake, the Cefni Estuary, South Stack Cliffs, Llyn Coron, Aberfraw, Cemlyn, then when back at Shorelands spending many hours creating a superb set of sketchbooks full of accurate and colourful ‘memory drawings’.
These sketchbooks are works of art in themselves and are now kept as part of the Tunnicliffe Collection at Oriel Ynys Môn, along with his measured drawings and other examples of his work – including original wood engraving blocks, etchings, watercolours, oil paintings, pencil drawings, scraperboards and book illustrations.
The RSPB awarded him its Gold Medal in 1975 and he was also honoured with an OBE in 1978.
His work hangs in numerous public galleries, while in Macclesfield’s West Bank Museum a room has been dedicated to his work. A Charles Tunnicliffe Society exists to maintain his legacy
(via Gateway Gallery)
Tunnicliffe engraving, with his wife Winifred looking on.
Another chilly scene, that also shows Tunnicliffe’s mastery of pattern and layout design.
Tunnicliffe illustrated many of the Ladybird series of childrens books, which sold in millions.
Here are some links to sites with numerous pictures by Tunnicliffe:
and 3) The Charles Tunnicliffe society website:
A well meaning website that reflects many aspects of Tunnicliffe’s output, but small, postage stamp size images, daft (but futile) impediments to right clicking and yellow backgrounds. Yes. An artist’s homage site with YELLOW backgrounds.
What I find especially galling, given Tunnicliffe’s mastery of so many graphic arts, is the use of COMIC SANS for all the text. Pur-lease!