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Category Archives: Composition

Trailer for “The Tale of Despereaux”

01-Jul-08

Odd, isn’t it, how the marketing of a film involves both the precise identification and targeting of likely audiences, while at the same time trying to maximise its appeal to the broadest possible market. Focusing and defocusing in one go. How wide of the mark this effort can sometimes be.
Now if somebody had [...]

Art & Design in The British Film # 18 Oliver Messel

20-May-08

Continuing a series about Art Directors in the British film industry up to 1948, when the book containing these articles was published.
This chapter deals with Oliver Messel (1904 - 1978)
Messel was a Costume Designer and Art Director. He sometimes worked in the Art Department as well as being Production Designer for films. A [...]

Art & Design in The British Film # 17 Vincent Korda

10-Apr-08

Continuing a series about Art Directors in the British film industry up to 1948, when the book containing these articles was published.
This chapter deals with Vincent Korda. (1897 - 1979)
(Korda was responsible for the art direction of many UK made films, as well as international productions, and among his many credits are The Four Feathers, [...]

Lighting Up Dark Chocolate

02-Mar-08

I was doing a bit of research into colour the other day, and I headed over to the splendid archive of American Cinematographer.
I found the information I was looking for spread across two of the (free to access) archive issues. The Color-Space Conundrum 1, and The Color-Space Conundrum 2. What really caught my [...]

Art & Design in The British Film # 16: Alfred Junge

23-Feb-08

Continuing a series about Art Directors in the British film industry up to 1948, when the book containing these articles was published.
This chapter deals with Alfred Junge (1886 - 1964)
‘Asked by friends or relations: “What will you be when you grow up?” my answer was invariably: “I’ll be an artist or a Kaiser.” When the [...]

The Perils of Practising Perfect Perspective

04-Feb-08

(Click to enlarge)
Of course the more perspicacious among you readers of Articles and Texticles will have immediately spotted what the artist is doing wrong in this picture.
That’s right, he’s wearing completely the wrong footwear for the job. He should be wearing very heavy boots so that he can keep his knees down, and support [...]

Art & Design in The British Film # 15: Laurence Irving

18-Jan-08

Continuing a series about Art Directors in the British film industry up to 1948, when the book containing these articles was published.
This chapter deals with Laurence Irving. (1897 - 1988)

The Doctor’s Dilemma Pre-production sketch for a film that wasn’t released until 10 years later, in 1958. Watercolour.
(Click thumbnail images to enlarge)
Irving was one of [...]

William Russell Flint

31-Dec-07

This is post #11 in this mini series of snow scenes.
In terms of technique, it’s the most demanding of all so far in this series. Although it’s only 10 by 13 inches ( or 25 by 33 cm ) it was made difficult by 2 factors. First, when the air temperature is close to [...]

Clark Hulings

29-Dec-07

Another contemporary painter tackles the theme of snow in this contrasty painting, called “Ten Below”. There’s something so American about the title that you might leap to the conclusion that the artist was from the USA. And you’d be absolutely right. His early years were spent in Spain, however.

Ten Below
He worked as [...]

Richard Müller

24-Dec-07

The symbolist painter and etcher, Richard Müller, has provided the 8th in this series of snow scenes.
It’s a painting of his from the end of the Second World War.

The Dead Hare
The Hare represents Europe, the Jackdaw: Germany and the Magpie is Russia.
The symbolism in the image depends on the audience having knowledge of the contextual [...]

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